In recent years, the Malayalam film industry has been under scrutiny for its connections with extremist ideologies and its role in propagating anti-Hindu sentiments. This issue has come to the forefront with the involvement of prominent figures like Mammootty, a celebrated actor who is revered by many as the ” mega star” of Malayalam cinema. However, beneath the glitz and glamour lies a troubling narrative that warrants a closer examination.
Mammootty’s association with the Communist Party of India (Marxist) (CPI(M)) and his alleged involvement in jihadi activities have raised eyebrows. According to various sources, Mammootty has significant connections with Islamic radicals who aim to destabilize India. As the head of the CPI(M)-owned Kairali TV Network, which broadcasts Marxist news and doctrine around the clock, Mammootty’s influence extends beyond the silver screen.
During the all-India convention of the Democratic Youth Federation of India (DYFI), the youth wing of the CPI(M), Mammootty criticized the former Narendra Modi government for the Gujarat riots. He claimed that if the DYFI had been present in Gujarat, the riots against the minority population could have been prevented. This statement, along with his other public remarks, has fueled speculation about his political and ideological leanings.
The film “Puzhu” (2022) has been at the center of a storm in Kerala. Directed by PT Ratheena, , the film has been accused of depicting Hindus in a negative light. According to Mohammed Sharshad, a Chennai-based businessman and fellow CPI(M) member, Mammootty compelled his wife Ratheena to create this film instead of her original lighthearted project. Sharshad claims that the film’s storyline, written by Harshad, a fervent Islamic fanatic, was designed to attack the Sanatana Dharma.
“Puzhu” tells the story of Kuttan, an IPS officer from a high-caste Hindu family, who harbors animosity towards his sister for eloping with a Harijan youngster. Instead of delivering a societal message, the film ends with a vehement criticism of the Sanatana Dharma. This portrayal has sparked outrage among Hindu communities, who see it as a deliberate attempt to malign their beliefs and traditions.
The Mattancheri Mafia, a group of Islamists, is said to control the Malayalam film industry. This organized crime syndicate allegedly uses cinema to degrade and defame the Sanatana Dharma. They are also credited with orchestrating agitations against the Citizenship Amendment Act (CAA) and plotting to undermine national events like the cinema awards distribution in New Delhi.
Prominent figures in the film industry, including actors and technicians suspected of having affiliations with Hindu organizations, are reportedly socially excluded by this mafia. The influence of this group extends to movie critics, who are cautious about expressing any negative opinions about Mammootty’s films for fear of retribution.
The allegations against Mammootty and the Mattancheri Mafia highlight a broader issue within the Malayalam film industry. There are claims of religious extremism, tax evasion, parallel economies, drunkenness, and gangsterism. The nickname “Mattancheri Mafia” has become synonymous with the dark underbelly of Malayalam cinema.
Prominent filmmakers and actors have publicly acknowledged the presence of a drug lobby within the industry. The use of drugs on film sets has reportedly hindered production, further complicating the already murky landscape of Malayalam cinema.
The revelations about Mammootty’s alleged involvement in anti-Hindu activities and the influence of the Mattancheri Mafia call for a thorough investigation. If these allegations are true, it is imperative that those responsible are held accountable. Conversely, if the accusations are baseless, the accusers should face exemplary punishment for defaming a respected actor and the industry at large.
The film industry, investigative agencies, and the media all have a responsibility to uncover the truth. The integrity of Malayalam cinema and the cultural fabric of India depend on it. As a nationalist Hindu, it is crucial to remain vigilant and ensure that the arts are not used as a tool for divisive and extremist agendas.
The Malayalam film industry, like any other cultural institution, has the power to shape public opinion and influence societal norms. It is essential that this power is wielded responsibly and not exploited for nefarious purposes. The allegations against Mammootty and the Mattancheri Mafia serve as a stark reminder of the need for transparency and accountability in the arts.
it is important to remember the values that bind us as a nation. Unity, integrity, and respect for all communities should be at the forefront of our efforts to address these challenges. By doing so, we can ensure that the Malayalam film industry remains a beacon of creativity and cultural expression, free from the shadows of extremism and divisiveness.
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